The plain black cassette tape comes in a glossy though monochrome single sided sleeve, and features what looks like an over exposed photo over a women standing under a street light. I’m not sure how many copies this came in, but if you can’t get hold of a physical copy there is still the digital download.

Both tracks here are untitled, and on side one we have RRR track- this comes in at spot-on the thirty minute mark. The ‘wall’ blends together a flickering yet constant higher pitched whistling/spinning element, with a thick base of mid-to-low end juddering, hacking, and jittering. There is some pattern shift in the base( though nothing vast), while the whistling element seems to remain the same though-out, save  for it feeling more fleeting/ speeding-up at times.

Flipping over to the second side, and we of course have the Nascitari track- and this come in at just over the twenty minute mark. And after the all-out & thick attack of the RRR track, we start-off with a more pared back static study, which is built around a series of fairly similar revolving ‘n’ crisply juddering tones. But fairly soon things start to thicken up, as we get a  more detailed & shifting blend of  the following: taut & tense rapid bass judders, chopping & thinner tonal rotations, slow-mo pile-ups of chalky  billows, low-end & brain throbbing billows, and thinner tonally scuttle & slice.  All told the tracks a clever bit of subtle shifting yet mastefully controlled wall matter.

So in conclusion this is a satisfyingly enough HNW split- with the RRR offering up an intensely hacking ‘n’ nerve searing wall. And Nascitari offers up a more controlled & detailed slice of wall-craft.