Splinter is the second solo album from Poland’s Daniel Szwed ( Woody Alien). It serves six slices of pounding, bounding, and hissing electronica/electro-industrial soundscaping.

Elektroniczne Systemy is the debut EP from Polish two-piece Marmur, which brings together Artur Rumiński (Furia, Thaw, Arrm, and many others) and Macio Moretti (LXMP, rumoured to be Mitch & Mitch, and many others). The sound over the three tracks is lo-fi electronica, with subtle guitar elements and a rather moody, at times abstract feel.

Danheim is the project of Danish producer Reidar Schæfer Olsen, who has here created an album of what I would describe as cinematic tribal ethnic downtempo - primarily hand drum rhythms and chants, which sound digitally produced and sequenced. It sounds akin to the soundtracks of Hollywood blockbusters like 300 or Gladiator or a show like Game of Thrones. Looking up his credits, he actually did the soundtrack for the show Vikings.

Stärker, a Canadian-French duo, really know what they're doing. Their latest release, the captivating Spectral, is pitch-perfect, each sound source simultaneously exacting and expansive, precise and yet open like a chasm. 

A White Horse Is Not a Horse arrives on CD in a card gatefold wallet from the esteemed ESP-Disk, featuring five tracks varying from about four minutes in length to twenty-four minutes. Tang and Golden present improvised pieces which largely revolve around similar sounds and techniques - certainly from Tang, who performs with electric guitar, piano, electric keyboard, vocals, and small percussion, whilst Golden assaults the drums

The Shadow And The Wind: 1973- 1974 is a five-CD set looking at both the live and studio output of British rockers/ proto heavy metal merchants/approachable prog dealers, Uriah Heep in the early/ mid 70’s. The primary focus here is live material, with three of the five discs taken up by live albums, showing the five pieces as confident and versatile performers.