Caro Nihil Momenti Est is a thirty-minute slab of crude and morally corrupted walled noise from this rather mysterious US-based project, which recently surfaced like a bloated corpse in water on the scene.

Ohrensuppe presents the listener with two slabs of densely searing and audio nerve-slicing walled noise. Each 'wall' runs around the thirty-minute mark, and each is equally dense and crudely gnarly.

Now here’s a suitably barren ‘n’ battering slice of walled noise from Wisconsin’s Vacant Algin. The single thirty-minute ‘wall’ brings together steadily moving yet gloomy post-industrial texturing, with buffing and baying tone for a bleakly atmospheric, yet seared ride.

Enter The CATHEDRAL sees the very welcome return of Spain’s  Damien De Coene(Charles Razeur, Verwelk, Renoffski), who has been absent from the world of walled noise for a few years. This digital release features a single ‘wall’ created by that classic of wall noise tools- a DOD effects pedal.

Here’s a wall-noise split between New Orleans Pasta Club and Poland’s Olion. Both tracks roll in at around the fifteen-minute mark, with each having a fairly thick, though different takes on this most extreme form of sound.

From the late  1990’s, Violent New Breed, I think, stands as one of the ambitious  SOV Horror films I’ve ever seen. It has several interwoven storylines, a large cast, and some impressive effects ‘n’ gore. The film weaves together the following plot lines: two cops investigating a new street drug which causes demonic birth, a group of marauding demons in human form, the revealing of a young antichrist, and a few other subplots. It’s certainly impressive, if at points slightly muddled/ confused SOV Horror film- that will most certainly want to be seen by fans of the genre.