Stärker, a Canadian-French duo, really know what they're doing. Their latest release, the captivating Spectral, is pitch-perfect, each sound source simultaneously exacting and expansive, precise and yet open like a chasm. 

A White Horse Is Not a Horse arrives on CD in a card gatefold wallet from the esteemed ESP-Disk, featuring five tracks varying from about four minutes in length to twenty-four minutes. Tang and Golden present improvised pieces which largely revolve around similar sounds and techniques - certainly from Tang, who performs with electric guitar, piano, electric keyboard, vocals, and small percussion, whilst Golden assaults the drums

The Shadow And The Wind: 1973- 1974 is a five-CD set looking at both the live and studio output of British rockers/ proto heavy metal merchants/approachable prog dealers, Uriah Heep in the early/ mid 70’s. The primary focus here is live material, with three of the five discs taken up by live albums, showing the five pieces as confident and versatile performers.

Five Thousand Pretenders Who Passed the Test By Luck Alone is a new(ish) long-form work from Massachusetts-based drone maker/moody noise creator Howard Stelzer. The single, just over fifty-minute track moves through a fair bit of varied sonic territory, from ringing and dense soundscaping, onto smaller/ detailed sound crafting, through to drone/ field recording crossbreeds, and beyond.

Scat Punk is the first slice of scuzzy & crude walled noise freefall from this new project from UK’s Tom Wilson(The Night Porter, Slowgurn, and Death To Dynamic label).  This digital release takes in a single nearly hour-long track, which blends a constant searing rush & churn with fleeting darts of other tone/ texture.

Alpha Omega was album number three from New York’s Cro-Mags. First released in 1992, the nine-track album saw the band tighten up their sound, which blended elements of hardcore punk, metal, and thrash.