 |  | | 400 Lonely Things - Creature Comforts and Why I Went to the Woods | A project that has been releasing works for twenty-three years, Craig Varian’s 400 Lonely Things (co-member Jonathan McCall passed away in 2020) should be a haunted household name when it comes to the “pagantronic” and “ghost ambient” genres of electronic music. 400 Lonely Things is self described “Rustic Ambient Psychedelia” and “Analogue Folk Dronescape,” an amalgam of decayed samples, ethereal electronics, and detourned field recordings that conjure up a visionary, eldritch place that exists at the crossroads of hauntology and folk horror. Varian creates a sonic cosmos that fuses past, present, and future sonorities, a cinematic effect that plunges the listener into an uncanny atmosphere. While 400 Lonely Things’ recordings are indeed “hypnotic,” the music is actually quite complex and evocative, a diffuse layering of sounds, ambiances, moods, and effects.
 |
|
|
|
 

|
 |
 |
 |

|  | | 400 Lonely Things - Creature Comf... | A project that has been releasing works for twenty-three years, Craig Varian’s 400 Lonely Things (co-member Jonathan McCall passed away in 2020) should...
 |  |
|
|
|
|
|
 |

|  | | Crude ‘n’ Hope-corroding Wall... | Back in 2024, I got my first taste of Absurd Reality, and I was so impressed by how crude and nasty its take on walled noise was. Behind the project is South...
 |  |
|
|
|
|
|
|
 |